Oliver Cromwell and His Secretary John Milton, Receiving a Deputation Seeking Aid for the Swiss Protestants by Charles West Cope | Oil Painting Reproduction
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Oliver Cromwell and His Secretary John Milton, Receiving a Deputation Seeking Aid for the Swiss Protestants - Oil Painting Reproduction On Canvas


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NOTE: The oil paiting will be delivered in a frame and ready to hang on your wall if you select a frame for it.
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Testimonials
Testimonial by Jonny
6 / January / 2012
I love this. So beautiful work!!
Testimonial by Maroto Vasquez
4 / January / 2012
nothing more to say, really amazing artwork!
Testimonial by Clare Kazmi
22/ December / 2011
Wow!Just received it! SO excited to see it in person
Testimonial by Vincent
7/ December / 2011
I love them all of them!! Great work!!!
Testimonial by Andrew Myalkin
5/ December / 2011
Beautiful work! Your brushes are like a magic time machine.
Testimonial by Phil
8 / November / 2011
Hi, I am thrilled with the painting!Thanks again for a beautiful reproduction!
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Painting Information

100% hand-painted oil painting reproduction on canvas of Charles West Cope's painting, Oliver Cromwell and His Secretary John Milton, Receiving a Deputation Seeking Aid for the Swiss Protestants. It has been perfectly recreated brushstroke by brushstroke by our talented artist. We not only reproduce every detail of the original painting, but to capture its soul.

Charles West Cope (July 28, 1811 – August 21, 1890) was an English Victorian era painter. Born in Leeds, Yorkshire, England, his pictures have for subjects historical or dramatic scenes, and were very numerous. After a two year residence in Italy, he began to exhibit at the Royal Academy in 1833. In 1843 he entered the Westminster Hall competition, gaining a £300 prize with 'First Trial by Jury'. The following year he was commissioned to produce one of the six frescoes for the new House of Lords, later working on eight frescoes for the Peers corridor. Having been elected an Associate of the Royal Academy in 1844, he was in 1848 made an Academician, and Professor of Painting at the Academy from 1867 to 1874, as well as an Academy Trustee. To his birthplace, he presented an altarpiece for St George’s Church, Leeds. Cope was a founding member of the Etching Club, a social and professional association of twelve painter-etchers formed in London in 1838 to revive etching as an illustrative art form. The Club promoted the rendering of original works during a period when reproduction of old masters was in vogue, and thus helped invigorate the emerging art scene in England. Other Victorian artists of note who were members were William Holman Hunt, Richard Redgrave and Samuel Palmer.

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